Left direction
spot_mono

Pierre Restany,  Bertini le néo-classique,  ed. Kamer, Paris, 1957

Pierre Restany e Franco Russoli,   Bertini,  ed. Galleria Blu, Milano, 1957

Lasse Söderberg,  Gianni Bertini, ed. Lunds Kunsthall, Lund, 1961

Jean-Clarence Lambert,  Peinture et dithyrambe,  ed. Mercure de France, Paris, 1962

Pierre Restany,  Bertini, ed. Musée de Poche, Paris, 1962

Jean Dypreau,  La vie illustrée de Bertini,  ed. Palais des Beaux-Arts, Bruxelles, 1963

René de Solier,  Bertini, ed. Giraud, Paris, 1963

Pierre Restany, Bertini,  ed. Stefanoni, Lecco, 1966

Piero Albertoni, Identikit,  ed. Castelli e Rosati, Milano, 1969

Guido Ballo,  Bertini, ed.  G.Prearo, Milano, 1971

Gérald Gassiot-Talabot,  La Mecque du mec,  ed. Galerie du Seine, Paris, 1972

Daniela Palazzoli,  Bertini, ed. Galleria Annunciata, Milano, 1975

Gillo Dorfles e Tommaso Trini,  Abbaco,  ed. La Margherita, Roma 1979

Italo Mussa , Abbaco e un percorso, ed. Planetario, Trieste, 1981

Italo Mussa,  Bertini fra cronaca e poesia, ed. Vanessa, Milano, 1982

Anne Tronche,  Rétrospective Bertini,  ed. Centre National des Arts Plastique,  Paris, 1984   

Flavio Vangeli,  Bertini, ed. Punto e Linea, Milano, 1987

Angela Vettese,  Bertini, ed. Bellora, Milano, 1990

Anne Tronche,  Gianni Bertini, rétrospective,  ed. Galerie Thorigny, Paris, 1991

Daniela Palazzoli,  Per non dimenticare, ed.Galleria Annunciata, Milano, 1991

Daniela Palazzoli, Bertini – giornale di bordo di un caporale di giornata, ed. Galleria Annunciata, Milano,1991

Denis Chevalier  e  Pierandrea Casati,  Bertini – Frammenti di una vita,  ed. Galleria Elleni, Bergamo, 1992

Luciano Caprile,  Bertini, ed. Agrifoglio, Milano, 1993

Pierre Restany,  Bertini – Rotella  Una vita per l’arte,  ed. Quadreria, Milano, 1997

Lara Vinca-Masini,  Bertini. Percorsi,  ed. Giunti, Firenze, 2000

Luciano Caprile, Gianni Bertini anni ’50, ed. Cardelli e Fontana, 2000

Martina Corgnati,  Gianni Bertini. Percorsi,  ed. Prearo, Pisa, 2002

Dominique Stella,  La schiuma del tempo/L’ecume du temps, ed. Mudima, Milano, 2004

Ilaria Bignotti,  Gianni Bertini – Immagini del tempo,  ed. Colossi arte contemporanea, Chiari (Bs), 2006

Luciano Caramel e Emma Zanella,  Bertini Opere1948-1952, Silvana Ed., 2006

Andrea Poleschi, Gianni Bertini. Percorsi e ricorsi, ed. Poleschi Arte, Milano 2007


carnevale_sito
Cries - I Gridi Leo Castelli can be well satisfied with Gianni Bertini's “Historic Cries”, p...
spot
2nd  Mec-Art Manifesto   Contemporary artistic life is dominated by a capital fact: by then eve...
1991_-_diurnal
Extract from "Le Diurnal" Paris, vendredi 4 novembre 1988 J'ai déjeuné chez des amis. En s...
shooting_bertini_sito
Our tale begins immediately after World War II. Paris at that time was still – despite the inter...
bertini-ritratto2
There are no translations available.             da "L'Unità" - sabato 10 luglio 2010 ...
pierre1
There are no translations available.             Salve Gianni, tu mi hai aiutato a vi...
spot_bertini
There are no translations available.                     una conversazione con ...
PICT0027
There are no translations available. GIANNI BERTINI Galleria d'Arte della Città di Žilina, ...
Post-IG copia
There are no translations available.     Gianni Bertini. Identikit 100a cura di Frances...
Right direction
Illustrated books, scenographies and movies PDF Print E-mail

R. Fitzgerald, Ombra di primavera, ed. Triangolo, Milan 1958
(limited edition of 310 exemplars with 4 clichés of which 10 ex. with original drawing)

Alain Bosquet, Danse mon sang, ed. G. Fall, Paris 1959
(original illustrated edition with 4 original litographs and litographed cover. Limited edition of 75 numbered exemplars and 25 ex. on vélin de Rives)

Jean-Jacques Lévêque, Douves, ed. P.A.B., Alès 1959
(edition with 10 original engravings on wood. Limited edition of 44 exemplars of which 4 with a suite)

Jean-Clarence Lambert, La fin de la rassemblance, ed. Miracoli, Pisa 1959
(edition with 8 offset illustrations and cover. Limited edition of 100 exemplars on butcher's paper)

E. Sanguineti, Erotopaegnia, Paris 1960

Pierre André Benoit, Aller, ed. P.A.B., Alès 1960
(Edition of 5 etchings. Limited edition of 50 exemplars of which 10 with a double suite and a bounced engraving)

Pierre André Benoit, Advenu, ed. P.A.B., Alès 1960
(Edition of 1 original engraving on wood. Limited edition of 40 exemplars on Rives)

Henri Kréa, Round about midnight, ed. P.A.B., Alès 1961
(Edition of one etching. Limited edition of 50 exemplars of which 10 with a double suite)

Pierre André Benoit, Eclatement, ed. P.A.B., Alès 1961
(edition of 3 black and white burin engravings. Limited edition of 45 exemplars of which 5 with a coloured suite)

Pierre André Benoit, Posté de…, ed. P.A.B., Alès 19611962_pour_parler_sito
(edition of one decorated stamp. Limited edition of 16 exemplars. Printed on vélin de Rives)

Francis Picabia, Laissez déborder le hazard, ed. P.A.B. , Alès 1962
(edition of an original etching. Limited edtion of 29 exemplars of which 10 with a change in original etching and a bounced board. Printed on vélin de Rives)

Lasse Söderberg, Nuptiales, ed. J.P. Oswald, Paris 1962
(edition of 5 original edition of which 2 in colours and the printed etching cover. Limited edition of 3 exemplars on japanese nacré with a double suite)

Gianni Bertini, Pour parler et pour cause, ed. Castel Rose, Paris 1962
(edition of 13 original etchings of which 8 in colours and the etching cover printed with an engraving. Limited edition of 6 exemplars on japanese nacrè with 15 etchings and 24 exemplarss on véline de Rives of which 12 with 15 etchings)

Jean-Jacques Lévêque, Stèle pour Adam de la Halle, ed. Castel Rose, Paris 1962
(printed on silk-screen print. Limited editon of: 1 exemplar on japanese nacrè; 10 ex. on vélin d'Arches with 21 silk-screen printed plates with silk-screen printed and engraved cover: 10 ex. on vélin de Rives and a suite of 17 silk-screen on grey paper; 200 ex. on grey paper broché)

Lasse Söderberg, Efter Ikaros, ed. Castel Rose, Paris 1962
(swedish text. Printed on silk-screen print: Limited edition of 99 exemplars on packing paper with 7 illustrations)

Bernard Heidsieck, B2-R3 Exorcisme, (in coll. with P.A. Gette), ed. Castel Rose, Paris 1964
(on silk-screen printed on squared paper. Limited edition of 60 exemplars with artists acting a text on disc. 6 ex. printend on Arches with objects and gadgets)

Theodor König, Etat d’imagination, ed. Phantomas, Bruxelles 1966
(edition on paperback of glossy paper with 6 illustrations en cliché. The first 30 have an originale ethcing together)

Jean-Clarence Lambert, Les folies françaises, ed. Castel Rose, Paris 1966
(Limited edition of 8 hand-made exemoplars with pochoir text and illustrations. Printed on vélin de Rives and plastic paper. Cover with plastic conformation)

Jean-Clarence Lambert, Fort Boyard, (in coll. with J.Blaine, H.Chopin, Gysin, Furnival, Rotella, Dufrene, Wolman), ed. Comité de Fort Boyard, Paris 1967
(with 6 original posters of the Festival program; introduction by H. Chopn; illustrations by the different artists. Limited edition of 20 exemplars on serigraphed Arches; plexi box)

Pierre André Benoit, Imminence, ed. P.A.B., Alès 1967
(illustrato con cliché di: Herold, Picasso, Gette, Bryen, Sugai, Bertini, Miro, Survage, Jean Hugo, e stampato a 100 esemplari su vélin de Rives)

Berto Morucchio, Bertini Flash, ed. Elefante, Venice 1968
(folder with 6 original coloured serigraphies, numbered and signed)

Henri Chopin, Le dernier roman du monde, ed. Cyanur, Gand 1970
(the first 50 exemplars contain original illustrations by Bertini and Hausman)

François Dufrêne, Recitatif à l’italienne, ed. Albero Poeta, Lecco 1970
(decorated wiht 7 compositions in colours, en cliché. Edited of 1000 exemplars)

Salvatore Passarella, Onirico Vago, ed. Castel Rose, Milan 1971

Gianni Bertini, La vie d’un Mec, ed. Castel Rose, Paris 1984

Bernard Heidsieck, Canal Street, ed. Castel Rose, Paris 1986

Jean-Clarence Lambert, Ode à Chiavari, ed. Castel Rose, Paris 1989

Pierre André Benoit, Pas rondo, ed. Faux P.A.B., Nansola 1994

Stelio Maria Martini, Iperleopardi, ed. Castel Rose, Nansola 1995

Pierre Albert Biro, Le jour et la nuit, ed. Les Pages du Relais, Paris 1995

Hubert Juin, Adorable temple, ed. Castel Rose, Paris 1996

Saffo, Egal aux dieux, ed. Castel Rose, Paris 2004

J.L. Philippe, Héloise et Abélard, ed. Castel Rose, Paris 2005


S C E N O G R A P H I E S for theatral shows

Les aventures de Telemaque, di Jean-Jacques Lévêque
Limbo, di Jean-Clarence Lambert (Paris Biennal, 1961)
Poési i Action (Lunds Kunsthall, Svezia 1965)
Gli amanti, di Brunello Rondi (compagnia Albertazzi-Proclemer 1967)
Les amants du métro, di Jean Tardieu (Paris 1982)
1° Festival de Poésie (Paris 1987)

M O V I E S
Naissance d’un tableau,1959
L’energie du sommeil, 1965 (in collaboration with S.Béguier e H.Chopin – Award A. Artaud at Festival di Rodez)
L’aviatore, 1969

collaboration with articles and reviews
1972_mec_sito

In 1951-1952 he has been writer of Florence's publication « Numero » and in 1964 he collaborated with the Paris magazine « Ou » by Henri Chopin. In 1969 founded in Milan « Mec » magazine, only two numbers have been published.
Nel 1971 ha diretto con Sarenco i primi dodici numeri della rivista « Lotta poetica ».

Ha collaborato inoltre a:
'Esperienza moderna', Roma
'Il Gesto', Milano
'Direzioni', Milano
'Documento Sud', Napoli
'Phases', Parigi
'Sens Plastiques', Parigi
'K.W.Y.', Parigi
'Approches', Parigi
'Boa', Buenos Aires
'Phantomas', Bruxelles
'Amenophis', Bruxelles
'Daily Bull', Bruxelles
'De Tafel Ronde', Anversa
'Geiger', Torino
'Vou', Tokyo
'Rousseau-life', Ginevra